Every Con Has Its Pros

Gary Ross

Sandra Bullock
Cate Blanchett
Anne Hathaway
Helena Bonham Carter
Mindy Kaling
Sarah Paulson

The film opens by introducing us to Debbie Ocean [Bullock], the younger sister of notorious conman Danny Ocean (lead character in the 2001 remake Ocean’s Eleven). Having spent five years in prison, she has finally been released and is ready to pull off an extremely ambitious jewellery heist but she figures it will only require a seven person team and a starting capital of $20,000. Debbie recruits long-time partner Lou [Blanchett] to help run the mechanics of the scam, including conscripting individuals with a very particular set of skills. It is then revealed that Ocean’s plan went from a bank heist to multiple bank heists before settling on something extremely challenging: convincing Cartier to release a one hundred and fifty million dollar diamond necklace to be worn by actress Daphne Kluger [Hathaway] at the star-studded New York Met gala.. then steal it.

One of the first things that stands out about this release is the visual separation from the first trilogy. Soderbergh’s films were very slick but very of their time, with deep saturation and high contrast throughout – as much of the early 2000s tended to be with the rise of digital filmmaking. Ocean’s 8 moves away from this and pays simple homage to heist films of the 60s and 70s with tracking pans and zooms that have long fallen out of fashion. This helps not only forge a new identity for this release but also offers a pleasingly simple associative aesthetic. This is accentuated by Daniel Pemberton’s score which bleeds contemporary elements with the bouncing jazzy rhythms of features like The Thomas Crown Affair and The Pink Panther.

While the cast from the first gelled really well and were a formidable ensemble of the time, I would posit that the group gathered here are superior, owing to the fact they are fewer in number, meaning less small-bit tertiary characters to juggle and there isn’t a single weak component among the group. Now, that will be contested but I genuinely feel that everyone’s strengths are largely capitalised on and the streamlining of the assembled team means more of a connection for the audience and less time is taken establishing the characters abilities and skills. The group can be easily broken down into two separate tiers: the veteran actors and the younger wave. On the one hand we have Sandra Bullock being smooth, confident and in control and while that works, I feel her exceptional comic timing is often neglected (but that’s hardly something that needs to be present in every release), there’s also Cate Blanchett who seems to be having more fun than should be allowed, getting away with it devilishly well, Sarah Paulson as the somewhat cautious “I’m out of this life” character that appears in all these releases but proves she is more than capable and Helena Bonham Carter who should be irritating but comes off as a genuinely endearing part of the group. On the other end of the scale we have Awkwafina bringing a youthful energy and cynicism, complimented by a similar dismissive attitude from Rihanna’s character, Mindy Kaling gives a confident performance highlighting her character’s knowledge and expertise and while Anne Hathaway’s performance is initially hyper to the point of cliché, it pivots nicely and rounds out rather well by the film’s close. There are a few subtle legacy cameos that genuinely play out nicely but the less than subtle celebrity cameos ranged from interesting to painfully obvious and, for lack of a better word, cloying.

For a lot of audience members and critics, a sticking point will be the story – entirely centring on its simplicity. For some this will be a neat, slick jaunt that focuses as much on the characters as it does the sleight of hand, while others will find it too simplistic and devoid of complexity. Personally, I am of the former and while I will happily acknowledge the film somewhat suffers from being a touch straightforward and not exactly doing anything new, it is a simple proof of concept, greatly executed with solid twists and decent bread-crumbing while being conscious of new grounded technology. The only problem is that Ocean’s 8 is lacking an element of crescendo and suspense; Bullock’s character feels so in charge and we trust her so implicitly, that at no point is there much in the way of peril or concern that the plan will not be a roaring success. This may sound like a minor point but for me, it’s the film’s biggest flaw. Having said that, any supposed criticisms present here could quite easily be placed at the feet of 2001’s Ocean’s 11, so it could be said that this is merely par for the course and a hazard of sticking to the original formula so succinctly.

Overall, Ocean’s 8 is a smart, funny, entertaining release and, if one can suspend expectations of intricacy and innovation, it embodies everything this kind of blockbuster should be.

Release Date:
22nd June 2018

The Scene To Look Out For:
**paragraph full of spoilers**
A heavy amount of the third act rides on an insurance investigator, played by James Corden, dismissing the truth for results; and I take issue with that. After the necklace is revealed to be missing, John Frazier, an independent investigator is assigned to the case and seems aware of the Ocean family’s criminal history, having direct dealings with them in the past. As the film is winding down, we are left wondering if and how they will get away with the fencing of the diamonds. Regrettably, Corden’s part of the story wraps things up a little too quickly and conveniently, with the character himself stating that he doesn’t care about who is responsible, as long as he can get the necklace back. In a film that is genuinely pleasing, this is a particular convenient bugbear that resolves itself far too neatly and jeopardises the suspension of disbelief.

Notable Characters:
As stated earlier, I was truly impressed by the entire ensemble and believe the chemistry between them worked favourably. Having said that, Cate Blanchett really stood out as this film’s forerunner; slick, cool, in charge, playful, stunning wardrobe, she is the embodiment of everything these films aspire to and more. But in truth, is anyone surprised by that?

Highlighted Quote:
“A him gets noticed, a her gets ignored and for once I want to be ignored”

In A Few Words:
“A simple competent heist film that entertains effortlessly and easily proves itself the best Oceans sequel”

Total Score:


Cinema City Film Quiz #215

[17 June 2018]

Winning Team:
Benedictus Cunninglingus
Genre – An actor’s tongue knows no limits

Runners Up:
Jeremy Irons… His Pants
Genre – Jeremy Irons plays an ancient Japanese vocal coach who teaches Keira Knightley to speak proper via a series of menial household chores
Je N’Ais Pas Un Quiz Nom
Genre – Lingual art-house

ROUND I: Pre-Production
1. The Lone Wolf And Cub films are based on which manga series?
2. In Liar Liar, what is Jim Carrey’s character incapable of doing, thanks to his son’s birthday wish?
3. What is the title of the sequel to Finding Nemo?
4. How many Godfather films have been released to date?
5. Who directed Invictus, Mystic River and The Outlaw Josey Wales?
6. Who played the lead role in Father Of The Bride?
7. Jack Nicholson played the role of Jack Torrence in which horror adaptation?
8. Unbreakable was released in which year?
9. What is the name of Sean Connery’s character in Indiana Jones And The Last Crusade?
10. In which film does Jon Voight play a male prostitute, living with a con man played by Dustin Hoffman?

ROUND II: Filming [British Actors Doing Non-British Accents Special]
1. [Alan Rickman] What is the name of Alan Rickman’s character in Die Hard? Colonel Stuart? Simon Gruber? Hans Gruber?
2. [Benedict Cumberbatch] Which Avenger cameos in the mid-credits sequence at the end of Doctor Strange? Steve Rogers? Thor Odinson? Bruce Banner?
3. [Idris Elba] What is the subtitle to the 2013 biopic, Mandela? Long Walk To Freedom? No Easy Walk To Freedom? Dare Not Linger?
4. [Daniel Day Lewis] Which of the following did not appear in Lincoln? Adam Driver? Andrew Garfield? Joseph Gordon-Levitt?
5. [David Oyelowo] Who directed The Last King Of Scotland? Kevin Macdonald? Neil Marshall? Tony Gilroy?
6. [Daniel Kaluuya] What is Chris’ profession in Get Out? Architect? Waiter? Photographer?
7. [Anthony Hopkins] The Silence Of The Lambs was released in which year? 1990? 1991? 1992?
8. [John Boyega] What is the name of the salt-covered planet with an abandoned rebel base in Star Wars: The Last Jedi? Crait? Dathomir? Jakku?
9. [Kate Winslet] Which director did not act as producer on Stephen Daldry’s The Reader? Anthony Minghella? Sydney Pollack? Neil Jordan?
10. [Daniel Craig] The lead character in the 1998 comic Road To Perdition was drawn with the likeness of Tom Hanks, who was coincidentally cast in the lead role in the 2002 film of the same name. True or False?

ROUND III: Post-Production
1. Which film featured Toni Collette, Bryan Cranston, Greg Kinnear and Steve Carell?
2. The 1948 classic Bicycle Thieves is set in which country?
3. The following quote is from which film, “You have forgotten who you are and so have forgotten me. Look inside yourself, you are more than what you have become”?
4. What did Wes Anderson direct in between Rushmore and The Life Aquatic With Steve Zissou?
5. The Pursuit Of Happyness is set in which decade?
6. Viggo Mortensen appeared in which John Hillcoat adaptation of a Cormac McCarthy novel?
7. Which universal classic horror film did James Whale direct in 1931?
8. Hugh Jackman and Jake Gyllenhaal played the co-leads in which 2013 film?
9. Who directed The Tree Of Life?
10. Which child actress/singer appeared in Tim Burton’s 2003 film Big Fish credited under her birth name of Destiny?

ROUND IV: Promotion & Release
1. What is the title of the Sofia Coppola film about an actor suffering an existential crisis starring Stephen Dorff and Elle Fanning? Nowhere? Everywhere? Somewhere?
2. Which Pixar film doesn’t feature the Pizza Planet delivery truck? Monsters Inc? Finding Nemo? The Incredibles?
3. Which of the following did not star Audrey Hepburn? Send Me No Flowers? Sabrina? Paris When It Sizzles?
4. Who played the lead role in To Kill A Mockingbird? Gregory Peck? Rock Hudson? Cary Grant?
5. The following quote is from which film, “Let me understand. They’d put up all the money, I’d do all the work. But what, if you don’t mind my asking, would you do”? The Wolf Of Wall Street? The Big Lebowski? Schindler’s List?
6. Starred Up predominantly takes place in what kind of building? Factory? Shopping mall? Prison?
7. What was the title of Yasujiro’s Ozu’s final film, released in 1962? An Autumn Afternoon? Good Morning? Tokyo Twilight?
8. 1994’s Legends Of The Fall, starring Anthony Hopkins and Brad Pitt was originally going to be a starring vehicle for which two actors? Tom Skerritt and Johnny Depp? Sam Elliott and Ben Affleck? Sean Connery and Tom Cruise?
9. Which of the following songs was not covered in the 2015 film Pan? Smells Like Teen Spirit? London Calling? Blitzkrieg Bop?
10. To maintain an authentic performance in Life Is Beautiful, Roberto Benigni insisted that the young Giorgio Cantarini would not be told by the cast or crew that the events taking place weren’t real. True or False?

Screenshots: From Dusk Til Dawn / Frida / Puss In Boots / Across The Universe
Poster: Desperado
Actor: Salma Hayek


The Park Is Gone

JA Bayona

Bryce Dallas Howard
Chris Pratt
Rafe Spall
Isabella Sermon

The story opens three years after the events in Jurassic World, the park is wild and largely reclaimed by nature but opportunists and poachers continue to scavenge from the site in the hopes of getting a jump-start on the bio-technology. Claire Dearing [Howard] is now running a protection group, hoping to save the dinosaurs on the island from a second extinction event as the dormant volcano on Isla Nublar has become active. John Lockwood (portrayed by James Cromwell), the former partner of John Hammond, has put his subordinate Eli Mills [Spall] in charge of a rescue operation to preserve as many species as they can. As the dinosaurs are all chipped, they require Claire’s handprint login to track them, more than that, they have their eye on the only surviving velociraptor and Claire enlists Owen Grady [Pratt] to help but their relationship is strained and Mills’ motives aren’t all that they appear.

Before I go any further, I would like to highlight a quote from The Lost World: Jurassic Park: “Don’t worry, I’m not making the same mistakes again” “No, you’re making all new ones.” This, to me, embodies the core problem with everything that followed Jurassic Park; I genuinely don’t believe any of the four sequels have come close to the original and no matter how often they try and rework the formula, the positive elements crumble under the weight of colossally disappointing or flat-out terrible ones. A lot of the issues here can be attributed to most contemporary blockbusters which prioritise moments over logic and narrative reasoning; usually for marketing purposes. But this leaves us with pleasing developments that work rather well amongst the connective dross that loosely strings them together. Things like the image used in the above poster, the actual moment in the film is remarkably stupid and everything surrounding it defies logic; from Owen meeting up with Claire and Franklin (played as a walking cliché by Justice Smith) despite the size of the island, to discovering the gyrosphere, to the fact that said gyrosphere is avoided by a stampede despite the surrounding environment being demolished, then we have a dinosaur circling the orb trying to eat Owen but then the T-Rex appears to kill the other carnivore only to then run away! It’s all nauseating nonsense reminiscent of that painful dinosaur stampede in Peter Jackson’s King Kong. What does any of this do other than provide a heightened tickbox set-piece? It certainly doesn’t generate suspense as the threat feels phony – and while I always fall back on the James Bond argument (the conceit that it’s not if Bond will get out of peril, it’s how), the lack of coherent progression disconnects the audience from a sense of earned urgency.

On top of that, we have to put up with so many stupid decisions from both the human and dinosaur contingent. People being arrogant and dumb I can understand. A trained hunter who steps into a cage after an animal passes out, assuming it’s completely tranq’d is entering more into a territory of such disbelief that the usual suspension isn’t sufficient. But it still gets a pass because I can maintain that humans can be clouded by their own motivational drives. What I can’t understand is a film that breaks the logic or rules that it establishes. If a science fiction or fantasy film introduces a status quo fact, it cannot then simply ignore it for plot convenience; in this case I am talking about animal inconsistency and the extreme overuse of dino ex machina. Throughout these films we have been told about the patterns of these animals, that they move in herds, that alpha specimens can have influences over others, that they are communicating and breeding, that they are capable of extraordinary acts, etc. And yet whenever we witness these creatures loosed, they conform to stupid human logic. The indoraptor, a refined hybrid that should constitute as a spoiler but it’s in every trailer, is whatever the scene needs it to be at that time: a silent apex predator that can smell prey from a mile away before relentlessly tracking and pursuing it or a moronic beast that is extraordinarily clumsy and can be outrun by a child. It’s lazy writing and has given rise to the “a dinosaur will run in and save the day” cliché which is posing as homage to the closing scene from the first film. This trope has been exploited so much that any time the situation looks dire, I fully expect a T-Rex to silently enter from screen left and bite the problem. Stuck in a lift? No way out and a fire has started in the control panel? *Chomp* T-Rex eats the problem. The two people a character has been crushing on are meeting for the first time and the semi-cute-meet “how do we all know each other” puts him/her in an awkward positon? *Roar* T-Rex creates a distraction and the lead gets to avoid confronting this problem until later in the third act.

What is interesting is that if you scratch away the blockbustery studio mandated components, you are left with a very simple, minimalised story presenting a basic question about the consequences of the advancement of technology – which is very indicative of Michael Crichton’s work. But as stated, this factor is so buried under the mountainous action quota that it becomes a fleeting, scantly revisited set of interesting thought experiments: the ecological philosophy behind saving animals that we manufactured, the concept of government involvement on a private island, the moral culpability and responsibility of those involved, the grey-area difference between exploiting animals for experiments and war over captivity and entertainment, the lengths of meddling with death and resurrection but I’ll expand on all of that later. The truth is, these kinds of issues are usually better left as open-ended conversation starters, like The Twilight Zone or Black Mirror because following something like this to its conclusion will change the face of the established world so much that it will alter the relatability of the grounded world around it. In other words, if you introduce a fantastical element and state that it has been normalised for decades, you cannot say the world will completely mirror our own and while that’s a great launchpad for stories it can quickly deviate to the absurd; for an example, see Independence Day: Resurgence.

Another element that strongly links this feature with the original – and one that Jurassic World didn’t use as well – is the welcome return of extensive animatronic puppetry. It feels like we are finally getting back to a point where computer generated imagery and practical effects can work in harmony, complimenting each other, rather than in direct competition and the film succeeds greatly because of it. There are also fascinating behind the scenes practical technics, such as an outdoor rollercoaster track which was built for the gyrosphere descent over a cliff-edge, generating a genuine reaction of both fear and gravity on the body. But as much as I love the ingenuity and creativity of this kind of filmmaking, it’s brutalised and all but lost in fast-paced editing and a frankly absurd sequence devoid of consequence. And that’s why I’ve rated this film the way I have; so many technical aspects are working exceptionally well, the cinematography is great, Michael Giacchino’s score gives us enough new material to evolve the familiar themes, the practical and digital effects are genuinely impressive, make-up, costumes, set design, all of them are performing at peak levels but the story fails them every single time. If I was rating on story alone, this film would be a travesty but the amount of work that has gone into its execution is truly praiseworthy.

The prospect of a zoo-like environment failing is a terrifying and relatable prospect and one which illustrates man’s arrogance when it comes to controlling environments. Zoos, circuses, theme parks, things we create for our amusement at the expense of something wild is a playground for What If fiction and while this film follows the same lines it is somehow less rewarding and stretches into fantasy territory. As stated earlier, I believe this is a problem with the nature of Michael Crichton’s work and why the only sequels and follow-ups he produced were at the pressure and behest of others rather than from a creative desire to further a story. And yet it’s not impossible, the “where do you go from here” is not out of our reach and to prove that, one need only look to the Planet Of The Apes prequels. The major difference there is that the story gave us a very emotionally relatable core along with ground-breaking motion capture techniques, to the degree that we were vested in the non-human story more than the one we would traditionally empathise with. But Jurassic Park isn’t those films, it’s always billed as a monster movie and as much as they push this “Blue is the chosen one” storyline, it’s not sticking because through both the performance and circumstance, I simply don’t buy the connection.

At the end of the day, Fallen Kingdom is another instalment in a long line of mediocre continuations that brings very little to the series but the way this one ends gives me the impression that we will get something very new next time – whether that will be positive or not, remains to be seen.

Release Date:
8th June 2018

The Scene To Look Out For:
**extreme spoilers throughout this whole section**
The film closes pretty much back where it started, with the moral quandary of do these creatures deserve a chance to live again or have the repeated incidents highlighted that this is simply a bad idea which needs to be stopped at all costs. Having spent the majority of the film weighing the options, Claire makes the decision to not save the dinosaurs and in a rather traumatic gas chamber sequence, we have a Toy Story 3 fake-out, leading audiences to believe that they may witness something surprisingly adult in this relatively light action fare. And in that moment, the doors open and the dinosaurs are unleashed on California. With a town in running distance, several species of herbivore and carnivore are let loose on a completely unprepared environment and populace. As the camera pans, we reveal Lockwood’s granddaughter Maisie [Sermon] has activated the door, explaining that these animals deserve the chance to live. And my face immediately contorted into some twisted mesh of disgust and outrage and my internal monologue screamed, “What the fuck!? You made the wrong choice kid! Who.. who the fuck put the child in charge!?” If you’re reading this, I’ll assume you know the movie’s big twist, that Lockwood’s granddaughter is in fact a clone of Lockwood’s deceased daughter, which understandably caused a rift between Hammond and Lockwood. This is a development that I have such contention with. On the one hand, it’s a fascinating and natural evolution of where this technology could and would progress to but on the other it steps away from the simplicity of “park goes offline, animals get out” but doesn’t give it enough time to really develop into anything rewarding enough. Maisie’s justification for her action is to compare the dinosaur’s right to exist with that of her own; again, another HUGE moral quandary that this film has done so little to explore. But it’s all irrelevant, Maisie pressing the button is symbolic of a franchise that has never really worked outside of the first and should be left to die but the kids have voted and regardless of consequence, they have demanded more.

Notable Characters:
There isn’t one human character I have liked in these last two Jurassic Park films. Say what you will about The Lost World and Jurassic Park III at least they had Goldblum or Neill entertaining us with their expertise and cantankerous observations. What do we get? Owen fucking Grady. Pratt’s character continues to be the worst in the entire Jurassic Park franchise – yeah, I’m including Paul Bowman and Amanda Kirby in that. A lot of larger than life personalities have made their mark on this series and sometimes their absurdity can elevate the film. But Grady is a mess, he is consistently selfish yet superheroic in his actions, not to mention the fact he’s practically immortal. Without meaning to sound ridiculous, he is a representation of how America sees itself, a lone hero fighting against the odds for a little peace and quiet; you know, a real conservative wet-dream. But at no point does the character or the film really acknowledge that this charming yet outdated cowboy archetype is the villain. Owen trains the raptors but refuses to accept responsibility that his work could/would be imitated by others, his interactions with other humans devolves to that of a thuggish child and his plot-armour driven “I don’t know what I’m doing but this will work out” attitude puts everyone at risk but never fails so nothing is learned. And this isn’t the case of another Peter Quill because that individual experienced genuine arrested development and culture shock through displacement, this is an ex-military individual who works with animals but displays the tendencies of someone who simply doesn’t live in the real world. And when you have a film that is filled with genetically resurrected dinosaurs, you need lots of real world to make the Jurassic bit work.

Highlighted Quote:
“Change is like death, you don’t know what it looks like until you’re standing at the gates”

In A Few Words:
“As with every other Jurassic Park sequel, there are lots of interesting questions asked but all of them take a back-seat to some fairly uninspired action sequences”

Total Score:


Cinema City Film Quiz #214

[03 June 2018]

Winning Team:
Dial V For Vagina
Genre – Hitchcockian thriller starring Vin Diesel, Val Kilmer and Vanessa Redgrave abusing touch tone phones

Runners Up:
V For Vertical Vertigo Valerian Root Limit
Genre – James Stewart cures insomnia with valerian root from Everest
Victorious Vengeance Of A Veritable Variety Of Vicious Virgin Vixens On A Vacation In Vancouver
Genre – Documentary
Tommy Quizzo
Genre – “It’s our first time, please be our friends”
Just Ronin (From Dinosaurs)
Genre – Japanese lapsed Samurai/prehistoric action mash-up
Dr Strangeglover
Genre – Haberdashery comedy

ROUND I: Pre-Production
1. What was the title of the feature-length Simpsons movie?
2. Who directed Saving Private Ryan?
3. Who plays the role of Doc Brown in Back To The Future?
4. The second Die Hard is set in what kind of building?
5. How many emotions are working the controls in Riley’s head in Inside Out?
6. What is the subtitle of the sequel to Speed?
7. Which Star Wars film first featured the character Darth Maul?
8. What is the name of Will Smith’s character in Men In Black?
9. What was the name of the film adaptation of the TV series Firefly, directed by Joss Whedon?
10. Which actor has played the roles of Reggie Kray, Max Rockatansky and Bane?

ROUND II: Filming [Films Beginning With V Special]
1. V For Vendetta is set in which city? New York? Paris? London?
2. Which of the following characters does Van Helsing not fight in the 2004 action film Van Helsing? Mr Hyde? The Wolf Man? The Mummy?
3. Which of the following films is a remake? Vanilla Sky? Valentine’s Day? Vacancy?
4. A Very Long Engagement is set during which military conflict? US Civil War? World War I? World War II?
5. Varsity Blues, the high school football comedy drama starring James Van Der Beek, Paul Walker and Jon Voight, was released in which year? 1993? 1996? 1999?
6. Which of the following does not appear in M Night Shyamalan’s The Village? Jesse Eisenberg? Brendan Gleeson? James McAvoy?
7. What is John Ferguson’s (played by Jimmy Stewart) nickname in Vertigo? Scottie? Randy? Alfie?
8. Who directed Vera Drake? Ken Loach? Anthony Minghella? Mike Leigh?
9. What was the poster tagline for the 1960 film Village Of The Damned? Beware the stare that will paralyse the will of the world? Run, hide, you cannot escape the might and power of these cursed children? Dare you visit?
10. Luc Besson wrote a six hundred page book on the two hundred different alien races created for Valerian And The City Of A Thousand Planets and asked actors to read it so they would know who or what they were interacting with. True or False?

ROUND III: Post-Production
1. Name all the crew members of the Jupiter II in Lost In Space (one point per correct answer)
2. How many Species films have been cinematically released to date?
TWO (Species III and The Awakening were made-for-TV)
3. The following quote is from which film, “I have a microphone and you don’t so you will listen to ever damn word I have to say”?
4. What was the title of the 2006 remake of The Poseidon Adventure?
5. How many casinos are being simultaneously robbed in Ocean’s 11?
6. Who played the lead roles in 1998’s Practical Magic? (one point per correct answer)
7. What is the name of Liam Neeson’s gang in Gangs Of New York?
8. Who voiced the role of Ozone, a sphynx cat in The Secret Life Of Pets?
9. Who appeared in The Lord Of The Rings: The Two Towers, The Aviator and How To Train Your Dragon 2?
10. Gravity was released in which year?

ROUND IV: Promotion & Release
1. Which of the following films was not entirely shot on 70mm film? Hamlet (1996)? The Master (2012)? Dunkirk (2017)?
DUNKIRK (which was shot on 65mm large film stock)
2. Which Planet Of The Apes prequels features the repairing of a hydroelectric dam? Rise Of The POTA? Dawn Of The POTA? War For The POTA?
3. Platoon was released in which year? 1981? 1986? 1990?
4. The following quote is from which film, “Now you listen to me; we all have a destiny. Things don’t just happen, it’s all part of a plan”? High Plains Drifter? Forrest Gump? Selma?
5. In Muppets Treasure Island, the role of Benjamin Gunn is portrayed by which Muppet? Fozzie Bear? Sam Eagle? Miss Piggy?
6. Which of the following accolades was not presented to Les Miserables? Golden Globe for Best Picture – Musical or Comedy? American Film Institute Top 10 Films Of The Year? Academy Award for Best Picture?
7. Which of the main cast on Bram Stoker’s Dracula doesn’t play multiple roles? Richard E Grant? Anthony Hopkins? Winona Ryder?
8. The following is the poster tagline for which film, “Mischief. Mayhem. Soap”? Mean Machine? Fight Club? Flushed Away?
9. What is the title of the Carry On film parodying westerns? Carry On Cowboy? Carry On Partner? Carry On Ma’am?
10. Dustin Hoffman, Vanessa Redgrave and Timothy Dalton starred in a film about Agatha Christie’s missing days. True or False?

Screenshots: You’ve Got Mail / Stuart Little / Dallas Buyers Club / War For The Planet Of The Apes
Poster: Sahara
Actor: Steve Zahn